This avant-garde, associative collage equates the system’s relationship to Filipino citizens as a marriage. But instead of a wedding full of majestic gestures, we witness a tyrannical system led by a conductor-like figure representing colonial domination and a military regime. The work, which was created under German cinematographer Christoph Janetzko's direction, borrows on archived records from such classic Filipino documentary filmmakers as Nick Deocampo and Ricky Orellana.
